Psalms 50

PSALM 50

There have always been hypocrites in the Church, men who have placed religion in a mere observance of outward ceremonies, and among the Jews there were many who turned their attention entirely to the figures of the Law, without regarding the truth which was represented under them. They conceived that nothing more was demanded of them but their sacrifices and other rites. The following psalm is occupied with the reprehension of this gross error, and the prophet exposes in severe terms the dishonor which is cast upon the name of God by confounding ceremony with religion, showing that the worship of God is spiritual, and consists of two parts, prayer and thanksgiving.

A Song of Asaph.

The preposition  ל, lamed, prefixed to the name of Asaph, which Calvin renders of, may also be rendered for, as we have before observed, and it is, therefore, somewhat doubtful whether he was the author of the psalms in whose inscriptions his name appears, or whether they were merely delivered to him by David to be sung m the temple worship. We, however, know from 2 Chronicles 29:30, that a seer of the name of Asaph, the son of Berechia, and who, along with his sons, were appointed singers in the sacred services of the temple, (1 Chronicles 6:31, 39; 15:19; 25:1, 2; Nehemiah 12:46,) was the inspired writer of several psalms. It is therefore probable that he was the author of the psalms which bear his name. These are twelve, the 50th, and from the 73d to the 83d, both inclusive. It has been thought by some that these psalms differ very remarkably, both in style and subject, from those of David, the composition being more stiff and obscure than the polished, flowing, and graceful odes of the sweet singer of Israel, and the subject-matter being of a melancholy character, and full of reprehension.

The prophet holds up the ingratitude of such persons to our reprobation, as proving themselves unworthy of the honor which has been placed upon them, and debasing themselves by a degenerate use of this world. From this let us learn, that if we are miserable here, it must be by our own fault; for could we discern and properly improve the many mercies which God has bestowed upon us, we would not want, even on earth, a foretaste of eternal blessedness. Of this, however we fall short through our corruption. The wicked, even while on earth, have a pre-eminency over the beasts of the field in reason and intelligence, which form a part of the image of God; but in reference to the end which awaits them the prophet puts both upon a level, and declares, that being divested of all their vain-glory, they will eventually perish like the beasts. Their souls will indeed survive, but it is not the less true that death will consign them to everlasting disgrace.

 

1. The God of gods, even Jehovah,

The original words here rendered “The God of gods, even Jehovah,” are  אל אלהים יהוה, E1 Elohim Yehovah Each of these words is a name of the Divine Being. The first has reference to the power of the Deity; so that it might be translated, “The Mighty One.” If we read  אל אלהים, El Elohim, together, and translate “The God of gods,” this is a Hebrewism for “Most mighty God;” the word  אלהים, Elohim, being placed after the name of any thing to express its excellency, greatness, or might. See p. 7, note 1, of this volume. Comp. Deuteronomy 10:17; Joshua 22:22; and Daniel 11:36. Horsley reads, “The omnipotent God Jehovah hath spoken.” The reading of the Chaldee is, “The mighty One, the God Jehovah.” The prophet has here joined together these three names of God, to give to the Israelites a more impressive idea of the greatness of Him who, now seated on his throne, and surrounded with awful majesty, was about to plead his controversy with them.

hath spoken The inscription of this psalm bears the name of Asaph; but whether he was the author of it, or merely received it as chief singer from the hand of David, cannot be known. This, however, is a matter of little consequence. The opinion has been very generally entertained, that the psalm points to the period of the Church’s renovation, and that the design of the prophet is to apprise the Jews of the coming abrogation of their figurative worship under the Law. That the Jews were subjected to the rudiments of the world, which continued till the Church’s majority, and the arrival of what the apostle calls “the fullness of times,” (Galatians 4:4,) admits of no doubt; the only question is, whether the prophet must here be considered as addressing the men of his own age, and simply condemning the abuse and corruption of the legal worship, or as predicting the future kingdom of Christ? From the scope of the psalm, it is sufficiently apparent that the prophet does in fact interpret the Law to his contemporaries, with a view of showing them that the ceremonies, while they existed, were of no importance whatever by themselves, or otherwise than connected with a higher meaning. Is it objected, that God never called the whole world except upon the promulgation of the Gospel, and that the doctrine of the Law was addressed only to one peculiar people? the answer is obvious, that the prophet in this place describes the whole world as convened not for the purpose of receiving one common system of faith, but of hearing God plead his cause with the Jews in its presence. The appeal is of a parallel nature with others which we find in Scripture:

“Give ear, O ye heavens! and I will speak; and hear, O earth! the words of my mouths” (Deuteronomy 32:1;)

or as in another place,

“I call heaven and earth to record this day against you, that I have set before you life and death,” (Deuteronomy 30:19;)

and again Isaiah,

“Hear, O heaven! and give ear, O earth! for the Lord hath spoken,” (Isaiah 1:2.)

“The Targum, Kimchi, and R. Obediah Gaon, interpret this psalm of the day of judgment, and Jarchi takes it to be a prophecy of the redemption by their future Messiah.” — Dr Gill. Dr Adam Clarke explains it in the first of these senses; observing, that “to any minor consideration or fact it seems impossible with any propriety to restrain it.” It appears, however, as Calvin holds, to be rather the aim and intention of the poem to teach the utter uselessness of all outward ceremonies in the absence of inward piety; and it is constructed on the plan of a dramatic performance, the sole actor being Jehovah seated on his throne in Zion, and the audience being the whole world, who are summoned to be witnesses of the judgment which he is to execute upon his people. This is the view taken by Bishop Lowth in his Lectures on Sacred Poetry, volume 2, p. 235. Walford gives the same interpretation. “To interpret this passage,” says he, “of the promulgation of the Gospel, as is done by Bishop Horne and other expositors of this book, is for the sake of a favorite theory to confound things that are distinct, and to throw obscurity over the whole, by which its specific design is darkened, and the poem deprived of its consistency and unity. The great purpose of the psalm is to deliver the judgment of God respecting the Jewish people; and heaven and earth are summoned, as in Isaiah 1:2, to behold the righteousness of Jehovah, and bear their testimony to it.”

This vehement mode of address was required in speaking to hypocrites, that they might be roused from their complacent security, and their serious attention engaged to the message of God. The Jews had special need to be awakened upon the point to which reference is here made. Men are naturally disposed to outward show in religion, and, measuring God by themselves, imagine that an attention to ceremonies constitutes the sum of their duty. There was a strong disposition among the Jews to rest in an observance of the figures of the Law, and it is well known with what severity the prophets all along reprehended this superstition, by which the worst and most abandoned characters were led to arrogate a claim to piety, and hide their abominations under the specious garb of godliness. The prophet, therefore, required to do more than simply expose the defective nature of that worship which withdraws the attention of men from faith and holiness of heart to outward ceremonies; it was necessary that, in order to check false confidence and banish insensibility, he should adopt the style of severe reproof. God is here represented as citing all the nations of the earth to his tribunal, not with the view of prescribing the rule of piety to an assembled world, or collecting a church for his service, but with the design of alarming the hypocrite, and terrifying him out of his self-complacency. It would serve as a spur to conviction, thus to be made aware that the whole world was summoned as a witness to their dissimulation, and that they would be stripped of that pretended piety of which they were disposed to boast. It is with a similar object that he addresses Jehovah as the God of gods, to possess their minds with a salutary terror, and dissuade them from their vain attempts to elude his knowledge. That this is his design will be made still more apparent from the remaining context, where we are presented with a formidable description of the majesty of God, intended to convince the hypocrite of the vanity of those childish trifles with which he would evade the scrutiny of so great and so strict a judge.

To obviate an objection which might be raised against his doctrine in this psalm, that it was subversive of the worship prescribed by Moses, the prophet intimates that this judgment which he announced would be in harmony with the Law. When God speaks out of Zion he necessarily sanctions the authority of the Law; and the Prophets, when at any time they make use of this form of speech, declare themselves to be interpreters of the Law. That holy mountain was not chosen of man’s caprice, and therefore stands identified with the Law. The prophet thus cuts off any pretext which the Jews might allege to evade his doctrine, by announcing that such as concealed their wickedness, under the specious covert of ceremonies, would not be condemned of God by any new code of religion, but by that which was ministered originally by Moses. He gives Zion the honorable name of the perfection of beauty, because God had chosen it for his sanctuary, the place where his name should be invoked, and where his glory should be manifested in the doctrine of the Law.

Copyright information for CalvinCommentaries